Kenyan artist Clark Keeng is set to release a new single titled ‘Table’ featuring Zawadi Mukami and Chris Barr.
This soulful collaboration seamlessly blends alternative R&B and melodic rap, creating a rich soundscape that is both emotionally resonant and sonically captivating. Anchored by a mid-tempo groove and layered with bass guitar, synths, electronic drums, and atmospheric percussion, ‘Table’ explores themes of love lost, emotional disconnect, and the bittersweet ache of missed chances.
‘Table’ is a genre-blurring masterpiece. At its core, it’s is a conversation – a deeply introspective dialogue between estranged lovers reflecting on what once was. The metaphor of ‘the table’, which was once a space of connection and intimacy, now serves as a poignant symbol of fractured relationships and lingering nostalgia. Each verse feels like a memory passed between the artists – Clark Keeng, Chris Barr, and Zawadi Mukami – each unpacking their own heartbreak and vulnerability with raw honesty.
The song’s hook ties the narrative together with its haunting refrain: “We could always meet at the table / T’was the sign of our love.” This repeated line acts as both a nostalgic anchor and an emotional thread that connects each artist’s perspective on the complexities of love and loss. The track’s moody yet romantic tone mirrors the feeling of trying to move forward while still being tethered to the past.
The production is lush yet restrained, allowing the emotional weight of the lyrics to shine through. The bass guitar provides a steady foundation while synths and electronic drums weave ambient textures throughout the track. The medium energy level ensures that ‘Table’ remains contemplative without losing its uplifting undertones. The interplay between the vocals and instrumentation creates an intimate atmosphere that invites listeners to immerse themselves in the story.
Clark Keeng leads with his introspective delivery, setting the tone for the song’s emotional depth. Chris Barr follows with his singing that adds layers of vulnerability and rhythm to the track. Zawadi Mukami’s verse injects with her raps that add tension and cultural nuance into the song. Her lyrical wordplay – particularly lines like Paka na panya (cat and mouse) – adds complexity to the narrative while enriching its emotional palette.
Each artist brings their unique voice and perspective to ‘Table’, creating a dynamic interplay that feels both personal and universal. Together, they craft a sonic journey that resonates deeply with anyone who has experienced heartbreak or emotional disconnect.
The metaphorical “table” serves as a powerful symbol throughout the song – a place where connection once thrived but now exists only in memory. According to Clark Keeng, ‘Table’ was inspired by moments of reflection on relationships that fell apart despite best intentions. “It’s about how we hold onto spaces – physical or emotional – where love used to live,” he explains during an interview about the project. “The table is just one example of how we try to make sense of what’s left behind.”
The creation of ‘Table’ was collaborative from start to finish. Clark Keeng spearheaded production efforts alongside his team, ensuring every element – from instrumentation to vocal layering – enhanced the song’s emotional impact. The recording process involved multiple rewrites to refine each artist’s verses until they felt authentic and cohesive within the overarching narrative.
Clark Keeng has established himself as a versatile artist in various sounds, known for his ability to blend genres while maintaining emotional depth in his music. Zawadi Mukami, meanwhile, brings her raps and lyricism and cultural influences into every collaboration she touches, while Chris Barr adds rhythmic complexity through his singing style.
Whether you’re drifting through memories or dealing with fresh heartbreak, ‘Table’ offers a contemplative yet uplifting soundscape that lingers long after its final note fades. Its genre-bending composition ensures it appeals to fans across R&B, pop, trap, and indie audiences alike.
